Literary and unliterary reading

For myself, I split the reading of literature into two broad groups, namely the literary and the unliterary. The unliterary reader approaches a piece of fiction, or a poem, the way they would if it were any other text. They are epistemic and systematic, and so we can perceive the impact a book (etc.) has on them almost immediately, since their experience of it is not mediated by other concerns beyond “what does this tell me”. The literary reader’s experience is reflected, however, and so a text can fruitfully be read and reread. It is in this sense, like Montaigne in his tower, reading his 5,000 book library over and over, a little at a time, that such literary readers may be considered gnostic. It is the continued experience of the text that defines them, because they are an element of a community of interpreters. This goes for all readers of texts, including films, comics, magazine articles, etc. If you have at any stage debated the merits of a particular text, or suggested “what if they had casted X rather than Y”, or played some variation of “name your top 5 villains of all time, and say why”, then you are a member of this interpretive community. You are a literary reader.  Continue reading